Un fantstico viaje entre el Cielo y el Infierno En El Gran Divorcio, C. S. Lewis de nuevo utiliza su formidable talento para contar fbulas y alegoras. En un sueo, el escritor se sube a un autobs una tarde lloviznosa y se embarca en un increble viaje por el Cielo y el Infierno. Este es el punto de partida para la profunda meditacin sobre el bien y el mal. “Si insistimos en quedarnos con el Infierno (o incluso la Tierra) no veremos el Cielo: si aceptamos al Cielo no podremos quedarnos ni siquiera con el ms pequeo e ntimo souvenir del Infierno.” In The Great Divorce C.S. Lewis again employs his formidable talent for fable and allegory. The writer, in a dream, finds himself in a bus which travels between Hell and Heaven. This is the starting point for an extraordinary meditation upon good and evil which takes issue with William Blakes The Marriage of Heaven and Hell. In Lewiss own words, If we insist on keeping Hell (or even earth) we shall not see Heaven: if we accept Heaven we shall not be able to retain even the smallest and most intimate souvenirs of Hell. I think it is unlikely that if other books as generally entertaining … appear this year, they will be as generally instructive. W.H. Auden, Saturday Review
The Great Divorce
In The Great Divorce C.S. Lewis again employs his formidable talent for fable and allegory. The writer, in a dream, finds himself in a bus which travels between Hell and Heaven. This is the starting point for an extraordinary meditation upon good and evil which takes issue with William Blakes The Marriage of Heaven and Hell. In Lewiss own words, If we insist on keeping Hell (or even earth) we shall not see Heaven: if we accept Heaven we shall not be able to retain even the smallest and most intimate souvenirs of Hell. I think it is unlikely that if other books as generally entertaining … appear this year, they will be as generally instructive. W.H. Auden, Saturday Review
Un fantstico viaje entre el Cielo y el Infierno En El Gran Divorcio, C. S. Lewis de nuevo utiliza su formidable talento para contar fbulas y alegoras. En un sueo, el escritor se sube a un autobs una tarde lloviznosa y se embarca en un increble viaje por el Cielo y el Infierno. Este es el punto de partida para la profunda meditacin sobre el bien y el mal. “Si insistimos en quedarnos con el Infierno (o incluso la Tierra) no veremos el Cielo: si aceptamos al Cielo no podremos quedarnos ni siquiera con el ms pequeo e ntimo souvenir del Infierno.” In The Great Divorce C.S. Lewis again employs his formidable talent for fable and allegory. The writer, in a dream, finds himself in a bus which travels between Hell and Heaven. This is the starting point for an extraordinary meditation upon good and evil which takes issue with William Blakes The Marriage of Heaven and Hell. In Lewiss own words, If we insist on keeping Hell (or even earth) we shall not see Heaven: if we accept Heaven we shall not be able to retain even the smallest and most intimate souvenirs of Hell. I think it is unlikely that if other books as generally entertaining … appear this year, they will be as generally instructive. W.H. Auden, Saturday Review
The Great Divorce
In The Great Divorce C.S. Lewis again employs his formidable talent for fable and allegory. The writer, in a dream, finds himself in a bus which travels between Hell and Heaven. This is the starting point for an extraordinary meditation upon good and evil which takes issue with William Blakes The Marriage of Heaven and Hell. In Lewiss own words, If we insist on keeping Hell (or even earth) we shall not see Heaven: if we accept Heaven we shall not be able to retain even the smallest and most intimate souvenirs of Hell. I think it is unlikely that if other books as generally entertaining … appear this year, they will be as generally instructive. W.H. Auden, Saturday Review
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